“Timeless Tintoretto” at Musée Jacquemart-André

Until January 24th, 2027, the Musée Jacquemart-André is celebrating Tintoretto, one of the great masters of the Venetian Renaissance. Artcurial is a patron of this exhibition, continuing its commitment to supporting culture.

Until January 24th, 2027, the Musée Jacquemart-André is celebrating Tintoretto, one of the great masters of the Venetian Renaissance. Artcurial is a patron of this exhibition, continuing its commitment to supporting culture. 

For the first time in France, an exceptional exhibition traces the entire career of Jacopo Robusti, known as Tintoretto (1518/19–1594), and reveals the considerable influence of his work on 19th-century French painting. 

Artist defying categorisation, Tintoretto established himself in Venice in the late 1540s through his bold compositions, dizzying perspectives, spectacular lighting effects, and the vivacity of his brushwork: his famous prestezza. Bridging the gap between Michelangelo’s disegno and Titian’s Venetian colorito, he developed a deeply personal pictorial language that made him one of the major figures of 16th-century painting.

Tintoret (1518-1594)
Autoportrait, circa 1588
Huile sur toile
63 x 52 cm
Paris, Musée du Louvre 

Tintoretto (1518-1594)
Self-portrait, circa 1588
Oil on canvas
63 x 52 cm
Paris, Musée du Louvre 

Tintoret (1518-1594)
Le Miracle de saint Augustin, 1547-1549
Huile sur toile
255 x 174,5 cm
Vicence, Museo Civico di Palazzo Chiericati 

Tintoretto (1518-1594)
Le Miracle de saint Augustin, 1547–1549
Oil on canvas
255 x 174.5 cm
Vicenza, Museo Civico di Palazzo Chiericati 

Bringing together around forty paintings and works on paper from public and private collections in France, Italy, and elsewhere, the exhibition offers a journey through the various facets of Tintoretto’s oeuvre. Large-scale religious and mythological compositions, such as Le Miracle de saint Augustin (1547–1549, Palazzo Chiericati, Vicenza), alongside portraits and drawings, attest to the extraordinary diversity of his output and his ability to revitalize traditional sacred subjects through a dramatic, inventive, and modern interpretation. 

The exhibition also highlights the importance of drawing in Tintoretto’s practice, through a selection of studies and autograph sheets, as well as the distinctive nature of his portraits, characterized by their psychological intensity and formal modernity.

Paul Cézanne (1839-1906)
La Tentation de saint Antoine, circa 1870
Huile sur toile
57 x 76 cm
Zurich, Kunsthaus Zürich, dépôt de la Collection Emil Bührle

Paul Cézanne (1839-1906)
The Temptation of Saint Anthony, circa 1870
Oil on canvas
57 x 76 cm
Zurich, Kunsthaus Zürich, on loan from the Emil Bührle Collection 

The exhibition is concluded with a reflection on Tintoretto’s legacy in French painting and his broader influence on 19th-century artists. From Ingres to Delacroix, and from Manet to Cézanne, his work became a source of inspiration for painters seeking new forms of expression. His loose brushwork, dramatic power, and rejection of idealization resonated deeply with modern artists, who viewed him as a true precursor.

As the exhibition’s patron, Artcurial reaffirms through this commitment its deep attachment to art and culture, values at the very heart of the House’s identity. Since its creation, Artcurial has contributed to the transmission and promotion of artistic heritage by supporting institutions and initiatives dedicated to its understanding and preservation.

Information

Timeless Tintoretto 
From September 11, 2026, to January 24, 2027 

Musée Jacquemart-André 
158, boulevard Haussmann 
75008 Paris

Contact
Matthieu Fournier 
+33 1 42 99 20 26